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People

The Farm Diaries: Maggie MacKellar on the joy of a daughter coming home

"I spent the day anticipating her arrival. I’d climbed the stairs to her attic room in the early morning and made up her bed with flannelette sheets."

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In this farm diary, author Maggie MacKellar writes about the cycle of the seasons and the joy of a daughter coming home.

PHOTOGRAPHY FRED AND HANNAH

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Maggie lives on the east coast of Tasmania with her partner and two children.

PHOTOGRAPHY FRED AND HANNAH

I’m writing this in the quiet dark of late winter. Outside the sap is slowly rising in the trees. The ground is swollen and heavy and the fallen seeds are waiting for some warmth in the soil to send out their first tender shoots. There’s a buzz of voices in the courtyard. We’ve cracked a bottle of Champagne because our daughter is home from university. She arrived this afternoon, straight off the ferry, her car packed with the detritus of five years of student life and towing a horse float loaded with two horses.

I spent the day anticipating her arrival. I’d climbed the stairs to her attic room in the early morning and made up her bed with flannelette sheets. Outside the world was white with frost and in the attic I could see my breath. I picked some jonquils and popped them in a vase beside a pile of carefully chosen novels. She has packed up her life and is coming home for a two-week holiday before starting her final year of clinical rotations to become a fully fledged vet. She is bringing her beautiful grey warmblood mare home to have a foal and, perhaps even more exciting, she has found me a horse and brought him, too.

When they finally arrived I hugged her tight. She’d been travelling for 24 hours with a night on the boat and one stop in the early morning to water the horses and let them stretch their legs before loading them again and driving the final hours home. She dropped the tailgate of the float and there in the back is my new horse, Frank. He turns his head and looks at the bright world. She unloads him and hands his leadrope to me. He’s only young but he doesn’t fidget, just breathes me in, and I him, and then drops his head to crop the grass. He’s a plain brown horse, but there’s something about his eye, his attitude, that had convinced my daughter he was the one for me. We put the two horses in the paddock and watch as they walk and roll. I pinched myself: a horse of my own, grazing on a carpet of green grass so thick there is no hint of the brutal dust bath it was only two years ago. It feels like a fantasy.

This year we’ve had an autumn break, a wet winter and now the promise of spring is sitting on the horizon. Our ewes are out in the paddocks undisturbed, leading up to the beginning of lambing. There’s no clatter of the tractor pulling the feed cart out to the ewes, no clouds of dust, or boggy waterholes. The land is soft and green. It feels like a different world to the one I had captured in my diary during the drought of 2018–19.

Then, we’d had no rain in the autumn or winter. J was feeding sheep every second day and in the countdown to spring and lambing we were tense with worry. Sitting here now, on the other side of the drought, and reading back over my diary I realise that even in the brutal season I was finding moments of hope, and learning to see the world in more complex layers than the unfolding catastrophe.

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Spring 2019

 

Wake to a frost. Stoke the fire. Boil the kettle, grind the coffee beans, let the dogs out and in the quiet dark I catch up on the work I did not get done yesterday.

When the sun is up we head over to the yards. A cast ewe we had found yesterday — her enormous lamb, which we had pulled from her centimetre by centimetre, stuck fast — has had a prolapse. The lamb, with its head swollen from the trauma of its birth, is still alive. Yesterday I could not get it to suck. Its tongue was too thick, but it was so big and strong I thought it would live, and it has. But its mother is too busted to heal. Often if we can get them fast enough we can save a prolapsed ewe. J is adept at cleaning the expelled uterus and pushing it gently back. We keep the ewe quiet and in a few days there is no sign she has ever had a prolapse. But not this one. J shoots her and I’m grateful we could end her suffering quickly. The lamb, a crossbred of course, is one of the biggest newborns I’ve ever seen. He looks at me expectantly; his swollen head has shrunk to a more normal size, but he’s a monster. Bizarrely, he too is a product of the drought. His mother was probably a greedy feeder, pushing weaker ewes off the lick, getting more than her share and growing a lamb too big for her to birth.

“Can’t win em all,” J says, as we head out on the lambing run.

We find a ewe cast with a stuck lamb. The lamb is dead, but the ewe has a beautiful udder so we take her home for me to try to foster the enormous lamb onto.

We leave the ewe in the yards to recover and walk back to the house for a cuppa on the verandah in the sun. It’s a moment of peace I treasure. The lawn is dry, we have no water to give it a kick start, but this sheltered spot, protected from the bitter westerly wind, is a haven.

Back at the yards I have absolutely no luck. The big lamb will not suck from its foster mother. I try everything in my “getting a lamb to suck” play book. I can feel my nerves thinning, the frustration building.

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Maggie writes about her daughter arriving home from university with a new horse for her.

PHOTOGRAPHY FRED AND HANNAH

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She also reflects on the drought.

PHOTOGRAPHY FRED AND HANNAH

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Step away. Look up and out.

I pick up the monster lamb and take it over to the house. I’m not ready to give up on it. We’ve lost its mother and, besides, I can’t walk away. The drought is cruel in unexpected ways and my arms ache with the weight of him. I put him in the pen by the fire and mix up some milk. If I can get his suck reflux going he might turn the corner. It is slightly absurd: he’s so big it’s hard to treat him like a newborn and yet this is the treatment he needs. I wrap him in a warm towel and give him 10 minutes with the bottle. I move the teat in and out of his mouth, rub his flanks, pinch his tail. The bugger will not suck. In the end I pour some colostrum down his throat, rub him vigorously and put him in the pen.

The big lamb survives the night and with each forced feed is getting a stronger suck reflex. Much to my annoyance he now has a name. I never give lambs names. But before I can put a halt to it J starts calling this lamb Elvis. I hold up my hand — “don’t start this” — and he laughs: “De’s such a fat dude”.

I don’t want this lamb as a poddy lamb. If he’s raised by me, then he will never go on the truck and I don’t need or want more pets. If I can graft him onto a ewe he will grow into a super fat lamb. It’s a juggle. We are running a business. One part of our business is to feed people. I’m proud of how we look after our stock, proud of what we do, of the lambs we raise. But I don’t give names out for a reason. Elvis has to find a mother.

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“Losing dad gave me enormous perspective. It taught me that when opportunities come you grab them with both hands and you make the most of them.”

I take the lamb not called Elvis over to the yards and put him in with his foster mother. He’s used to the smell of me now and he follows my fingers down to her swollen bag of milk. I move her against his mouth and as he nibbles my fingers I slide her teat into his mouth. He starts to suck and I don’t move but stand frozen over the ewe whose lamb never lived and the lamb whose mother died giving him life. In less than a minute something clicks in his brain and he drops to his knees to get a better angle to suck. The ewe gulps, a sign she is letting her milk flow. Elvis, who will no longer be called Elvis, shakes his tail as the milk froths at his mouth.

So much of this work is taking the time to stand and watch. I know bigger farms don’t have time to do this. But I do. I lean against an old tree stump on the edge of the yards. If I stay still the sheep accept me as part of their world. They drop their gaze, they shrink back into themselves. Time pools at my feet. A kookaburra, whose territory is the sheep yards, lands on a fence post near me. It cocks its head, opens its great beak and with one eye on me tilts its head back and shouts, “She’s here! she’s here!” and I say, “Oh, be quiet, everyone knows.” The bird spreads its wings and pushes up into a loop of air before dropping to the other side of the fence to hunt for the small lizards that sun themselves on the timber palings.
Here, amongst the wounded, the maimed, the vulnerable, the reluctant, the anxious, life beats on.
How far away from the whirl of our natural lives we’ve got in our suburbs and cities. We’ve forgotten we are animals too. We think we can somehow move through the world without being part of it, as if we are somehow not susceptible to the same shifts of fate, the same pressures of life and death as a pregnant ewe, an orphan lamb, a hungry kookaburra, an opportunistic sea eagle. Leaning against the stump, I wonder at all the things I don’t see and hear spoken in a language that remains just out of my grasp; a murmuring that’s there, but shuts down when I, the outsider, blunder into it. Or even worse, when the world around me is shouting and I move through it deaf and blind.

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